Audiences
Article
Sound and image relations: a history of convergence and divergence
Luisa Ribas
2014-06-02 Volume 1 • Issue 2 • 2014
Also a part of:
Electroacoustic Movies: A visual music practice and its contexts
Nick Cope
2014-06-02 Volume 1 • Issue 2 • 2014
Also a part of:
Jerry Goldsmith and the Sonification of the “Monstrous-Feminine” in his Science Fiction Scores
Elizabeth Fairweather
2014-06-02 Volume 1 • Issue 2 • 2014
Also a part of:
Temporality as an analytical approach to minimalist music: Tom Johnson’s An hour for piano
R. Andrew Lee
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
The Handless Watch: On composing and performing 'Flutter Echoes'
Neil Heyde and Richard Beaudoin
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Thread: Listening and Reception