Volume 1 • Issue 1 • 2013
Article
Introduction: Temporalities in contemporary music
Richard Glover
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Temporality as an analytical approach to minimalist music: Tom Johnson’s An hour for piano
R. Andrew Lee
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Time, eternity and the problem of minimal music’s alleged non-linearity in Louis Andriessen’s De Tijd
Maarten Beirens
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Scanning the temporal surface: aspects of time, memory and repetition in my recent music
Bryn Harrison
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Looking inward: La Monte Young, Arvo Pärt, and the spatiotemporal dwelling environment of minimalist music
Sarah C Davachi
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
The Handless Watch: On composing and performing 'Flutter Echoes'
Neil Heyde and Richard Beaudoin
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Thread: Listening and Reception