Technologies
Article
Introduction to Issue #4
Monty Adkins
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
The Harmonic Sequencer: Mapping the Harmonic Series to a Sequencer
Girilal Baars
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
Strata Sequence: From Musical Rocks to Palaeo-Soundscapes
Robert Mackay
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
Patterns in Radical Spectra
Mark Fell
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
Reinventing Harmony in Splintered Echoes (2014)
Monty Adkins and Paulina Sundin
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
New developments for spatial music in the context of the ZKM Klangdom: A review of technologies and recent productions
David Wagner, Gotz Dipper, Holger Stenschke, Jochen Arne Otto and Ludger Brummer
2014-12-01 Volume 1 • Issue 3 • 2014
Also a part of:
Multichannel sound and spatial sound creation at Sporobole: A short account of live performance, studio design, outdoor multichannel audio, and visiting artists
Philippe-Aubert Gauthier
2014-12-01 Volume 1 • Issue 3 • 2014
Also a part of:
Exploded sounds: spatialised partials in two recent multi-channel installations
Nye Parry
2014-12-01 Volume 1 • Issue 3 • 2014
Also a part of:
Strategies for spatial music performance: the practicalities and aesthetics of responsive systems design
Brian Bridges and Richard Graham
2014-12-01 Volume 1 • Issue 3 • 2014
Also a part of:
Sound and image relations: a history of convergence and divergence
Luisa Ribas
2014-06-02 Volume 1 • Issue 2 • 2014
Also a part of:
The Handless Watch: On composing and performing 'Flutter Echoes'
Neil Heyde and Richard Beaudoin
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Thread: Listening and Reception