Composition
Article
Multiphonic Mobile
Chris Redgate
2016-10-24 Volume 1 • Issue 5 • 2017
Also a part of:
Fingers, Fragility and Freedom – Christian Wolff’s Pianist: Pieces
Philip Thomas
2017-01-17 Volume 1 • Issue 5 • 2017
Also a part of:
Parametric polyphony in recent guitar music
Diego Castro Magas
2016-10-24 Volume 1 • Issue 5 • 2017
Also a part of:
Introduction to Issue #4
Monty Adkins
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
The Harmonic Sequencer: Mapping the Harmonic Series to a Sequencer
Girilal Baars
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
Strata Sequence: From Musical Rocks to Palaeo-Soundscapes
Robert Mackay
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
Tuning Systems as Processual Material
Richard Glover
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
Patterns in Radical Spectra
Mark Fell
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
Reinventing Harmony in Splintered Echoes (2014)
Monty Adkins and Paulina Sundin
2015-02-02 Volume 1 • Issue 4 • 2015
Also a part of:
Aural Territories: how phenomenology taught me how to compose electroacoustic spatial music
Frederico Macedo
2014-12-01 Volume 1 • Issue 3 • 2014
Also a part of:
Exploded sounds: spatialised partials in two recent multi-channel installations
Nye Parry
2014-12-01 Volume 1 • Issue 3 • 2014
Also a part of:
Strategies for spatial music performance: the practicalities and aesthetics of responsive systems design
Brian Bridges and Richard Graham
2014-12-01 Volume 1 • Issue 3 • 2014
Also a part of:
A direct link to the past: nostalgia and semiotics in video game music
Sarah Pozderac-Chenevey
2014-06-02 Volume 1 • Issue 2 • 2014
Also a part of:
Introduction: Temporalities in contemporary music
Richard Glover
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Temporality as an analytical approach to minimalist music: Tom Johnson’s An hour for piano
R. Andrew Lee
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Time, eternity and the problem of minimal music’s alleged non-linearity in Louis Andriessen’s De Tijd
Maarten Beirens
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of:
Scanning the temporal surface: aspects of time, memory and repetition in my recent music
Bryn Harrison
2013-03-01 Volume 1 • Issue 1 • 2013
Also a part of: